Every Breath You Take Online Subtitrat in Romana – [1080p]

subtitlu : Every Breath You Take
declanşator : 2021-04-02
arhivare : 105 Minutes
compoziţie : Thriller

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Stars Fell on Alabama Online Subtitrat in Romana – [1080p]

subtitlu : Stars Fell on Alabama
a lăsa  : 2021-01-06
arhivare : 103 Minutes
compoziţie : Comedy, Drama, Romance

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Avatar 3 Online Subtitrat in Romana – [1080p]

calificativ : Avatar 3
: 2024-12-18
arhivare :
gen muzical : Action, Drama, Science Fiction, Adventure, Fantasy

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Dasvi Online Subtitrat in Romana – [1080p]

subtitlu : Dasvi
a dezlănțui : 2022-04-07
arhivare : 127 Minutes
compoziţie : Drama, Comedy

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Radioactive Online Subtitrat in Romana – [1080p]

colontitlu : Radioactive
a dezrobi  : 2020-03-11
arhivare : 111 Minutes
gen : Drama, Romance, History

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

So, a little bit about me first: I was always a man of science. I have a Masters degree in Electronics and Telecommunications Engineering, and I was always fascinated by how things truly work. On the other hand, I’m not the biggest fan of biographical movies due to the genre’s boundaries. These films often follow a generic script, filled with formulaic plot points and lacking imaginative storytelling. Therefore, I usually analyze these movies based on a single question: “do I know more about the character and/or the story that made him/her famous now that I’ve watched this flick?” Another aspect that’s important in any film, but even more in this genre: the actor who interprets the protagonist.

Radioactive possesses Rosamund Pike as the magnificent Marie Curie. If there’s one undeniably incredible element in this feature, it’s Pike’s brilliant performance as the famous scientist. Now, I have no idea how Marie was as a person, so I can’t really evaluate Pike’s display regarding how accurate she is on a personal level. Nevertheless, her impressive emotional range can easily get her a few nominations when the awards season comes around. When it comes to which expressions to use or how strong her emotions need to be, Pike manages to always choose the most coherent option having in mind the character she portrays.

Sam Riley shares great chemistry with Pike, delivering a couple of genuinely passionate moments and witty conversations. Anya Taylor-Joy (Irène Curie), who I forgot was also in the movie, is always a delight to see on screen and, in this case, a very welcome surprise. However, this film is so focused on its protagonist (as it should be), that every character and actor other than the main one ends up being utterly forgettable (nothing wrong with this). Technically, I need to praise the makeup artists, who did a terrific job getting Pike older throughout the runtime, as time flows accordingly. Evgueni and Sacha Galperine’s score is simple yet sweet enough to slightly elevate a few sequences.

Unfortunately, Radioactive holds more than just a few minor issues. My biggest gripe is related to how everything is put together. I doubt most people will watch this movie with the hope of seeing more of Marie Curie’s personal relationships. This isn’t exactly a romantic drama. Having in mind the discoveries that she made, I was extremely interested in watching how, in fact, she discovered radioactivity. Of course, I’m not expecting the film to turn into a highly detailed chemistry lesson and all of its specifics. But Marjane Satrapi rushes through most of the relevant moments or skips them entirely. Marie’s first groundbreaking result is so casually presented to the viewer that it makes the whole thing far from being a big deal (which it is).

There are a couple of visually captivating animated sequences that sort of explain the process that the characters are going to perform, but it’s still quite underwhelming and disappointing. I still have dozens of questions now, which I hoped the movie would answer but didn’t. It’s also edited (Stéphane Roche) in such an uneasy manner that it feels like I’m watching two completely different films. I don’t know if this was Satrapi or Jack Thorne’s (screenwriter) idea, but showing (mostly adverse) future events directly related to Marie’s discoveries didn’t work for me at all. You know how these movies tend to have some sort of information shown before credits explaining how things worked out in real-life? It’s like they picked them up and randomly spread them across the film.

The focus went full-on to the protagonist’s personal life instead of balancing it with her world-changing experiments. Answering my question above, I did learn more about Marie Curie, but not about what I wished to know about her. Ultimately, it feels like this biographical work doesn’t honor her legacy. Just as an example, the story brushes over her discoveries so fast that it doesn’t even explain the reasons behind the nomenclature of the new elements. Overall, it’s not worthy of being the biography of the scientist’s life.

Radioactive boasts an absolutely outstanding Rosamund Pike as the great Marie Curie, but Marjane Satrapi (director), Jack Thorne (screenwriter), and Stéphane Roche (film editor) fail to deliver a well-structured narrative, rushing through the scientist’s groundbreaking discoveries and experiments or ignoring them altogether. Randomly mixing up future catastrophes with the actual story not only breaks both the tone and pacing of the movie, but it also makes the whole viewing a bit uneasy. Despite her personal life always being a point of interest, her work and how she performed it are why most people want to watch this film. To learn more about her contributions to the world of today. Unfortunately, Curie’s legacy is remitted to a by-the-numbers biographical work, restricted by the genre’s formulaic tropes. A neat score by the Galperine brothers and a couple of visually captivating animated sequences still elevate an overall disappointing feature…

Rating: C+
‘Radioactive’ doesn’t know what it wants to be – a biopic, a period drama, or a feminist meditation on the role of women in male-dominated fields – and while it is possible for a film to be all three, sadly this fragile script cannot juggle all of these successfully. What audiences are left with is yet another half-assed biopic that will be buried deep in Amazon Prime’s streaming library, and rightfully so. The memory of one of the greatest women in science – and Rosamund Pike, for that matter – deserve far better than that.
– Ashley Teresa

Read Ashley’s full article…
https://www.maketheswitch.com.au/article/review-radioactive-middling-biopic-fails-to-light-up
Marie Curie was the first person to ever win a Nobel prize twice, and her legacy – alongside that of her husband and of their daughter – is no doubt what appealed to Rosamund Pike when offered this part. Sadly, though, the end product does very little justice to this trailblazing woman. It tries to reconcile her challenges as a scientist with those she faced as a women in man’s world; of her immensely competitive instincts with her deep love for her husband (Sam Riley) and her family but in the end fails to impress. Riley is far too lightweight to provide an adequate foil for this strong and determined character and though Pike is efficient, she has way too much dialogue that just doesn’t cut through. The lighting and pace are battling each other to see which can be the more soporific and somehow the film just never gets going. I rather liked the concept that it tried to input some of the ultimate effects of their theories into the storyline (i.e. the Hiroshima bomb) but that execution was weak and lacked potency, too. Technically it looks fine, costume and sets all well researched and delivered but that isn’t enough to ignite this ponderous and wordy drama. A story told more effectively in 1943 by Greer Garson, if you are looking for something more engaging. This is just standard made for television fodder that will soon be forgotten.

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The Grinch Online Subtitrat in Romana – [1080p]

calificativ : The Grinch
a răspândi  : 2018-11-08
arhivare : 85 Minutes
compoziţie : Animation, Family, Comedy, Fantasy

After hearing negative reviews from others I was reluctant to see this one at first but I went with my gut feeling and saw it and wow I am so happy I did this movie made my Christmas already it’s just what we need in the world today a movie about people putting aside their differences and enjoying just being together
So I paid £7 to fall asleep! Alas, even my kids aged 11 and 14 found it uninteresting. Grandma came along, she loves all animation films, but even this failed to capture her interest. We were expecting some new twists in an already well-known tale, but hey-ho, not this time.
The Grinch was a movie I really wanted to see before Christmas but life was so busy and I just didn’t have enough time. I am so glad I finally managed to see it.

LIKED:
– the animation is absolutely stunning! all of the colours and the contrast with the snow was amazing.

– Max was the most adorable puppy ever! for some reason, it reminded me of Dobby a bit 😀

– a big part of the story was told in verse and there were many quotes taken directly from the book.

DISLIKED:
– I kind of wanted more songs

– Grinch wasn’t portrayed as mean as I expected

OVERALL:
It was cute, adorable and very Christmasy! Yes, it was cheesy but it is supposed to be like that. I think I prefer it as an animation.
It was a little too eccentric. I would’ve thought they would make the storyline similar to the 2000 remake, this time with Jim Carrey voicing the bullying mayor!

Still, this film had its laughs, along with a voice cameo from Made in Chelsea’s Toff!
A much more family friendly story about ‘The Grinch’.

I like it. It has a few issues but still does most things right, it’s definitely solely made for families but that’s not a negative – it does make sense to make an animated version of this Dr. Seuss book.

With that noted, I don’t rate Benedict Cumberbatch in the lead role. I don’t think his voice suits the role at all, it needed someone who sounds more menacing and treacherous. I never felt, away from his obvious acts, any horrid side to Grinch here – though perhaps that suits the aforementioned family vibe they were aiming for.

Away from Cumberbatch, I thoroughly enjoyed Pharrell Williams’ narration and it’s cool to hear Angela Lansbury in a minor role. The plot to this 2018 film is solid, but the thing about it that stands out most to me is the humour – which I found consistently amusing, there are some funny gags in there.

Overall, this is a film I’ll look back on as being good – even if it could’ve been greater, especially with a more suitable lead. If we’re comparing this and the 2000 production, I think I prefer this one? It’s close, Jim Carrey is great in that but this one’s pacing is much better.

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Apples Online Subtitrat in Romana – [1080p]

titular  : Apples
a lansa  : 2021-06-03
arhivare : 91 Minutes
gen : Drama, Comedy

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Last Man Down Online Subtitrat in Romana – [1080p]

colontitlu : Last Man Down
comunicat de presă : 2021-10-19
arhivare : 87 Minutes
gen muzical : Action, Thriller

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Don Online Subtitrat in Romana – [1080p]

campionat : Don
a lăsa  : 2022-05-12
arhivare : 164 Minutes
compoziţie : Comedy, Romance

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Passing Online Subtitrat in Romana – [1080p]

titular  : Passing
declanşator : 2021-10-27
arhivare : 98 Minutes
compoziţie : Drama

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Black-and-white films are something I’ll always cherish, but when these two colors become part of the narrative itself, then I can only expect a great movie. Passing approaches the fear of being colored due to obvious reasons of the film’s period, and it does so in a necessarily disturbing, emotionally investing manner. Tessa Thompson (Irene) plays in the colored side while Ruth Negga (Clare) enjoys the privileges of passing as white. A captivating story unravels with Irene and Clare feeling envious of each other. If the former desires the latter’s (external) happiness, Clare feels terrible for not possessing the same principles and morals as Irene.

While I feel much more empathy for Irene’s pride in being colored, I also don’t blame Clare for getting a better life without all the discrimination. Both have their own personal problems, but as their friendship grows larger and more significant, these issues also expand and become seriously hurtful, especially to Tessa’s character. The narrative loses a bit of steam when it starts focusing on romantic jealously instead of the interracial matter. The passage of time occasionally feels too abrupt and slightly confusing. Finally, the ending doesn’t do justice to the movie’s central theme and title, almost completely forgetting what it was supposed to communicate to the audience.

Nevertheless, it’s still a marvelous film with a meaningful storytelling purpose. As expected, Tessa and Ruth deliver brilliant performances, boasting a charming, dynamic, even passionate chemistry, but André Holland, Alexander Skarsgård, and the always remarkable Bill Camp also prove their worth. The B&W transmits a beautiful message concerning the lack of importance of someone’s color (in B&W, everyone looks the same), and the significant value of morals and principles that truly define a person. As her feature directorial debut, Rebecca Hall undoubtedly shows talent, but she’ll need to learn that “less is more”. Gorgeous, elegant cinematography from Edu Grau.

Passing is a solid feature directorial debut for Rebecca Hall, but she must learn to focus on just one central theme. Otherwise, such a beautifully shot movie boasting outstanding performances will lose its precious message in the middle of so many irrelevant, superficial romantic endeavors. Tessa Thompson and Ruth Negga carry the plot forward with charm and elegance, as does everyone else in the cast, but these two share such remarkable chemistry that I feel that the slow pacing was actually quite adequate. While the main plot revolves around the “passing as white” debate, I couldn’t feel more engaged by the narrative and its opposite-sided main characters. However, this fascinating matter gradually loses energy, ultimately fading completely to an underwhelming jealously story between women, culminating in a climax that feels slightly out-of-place and exaggerated. Still, it’s more entertaining than I anticipated it to be, and it still leaves the viewers with a very interesting “what if it was me” scenario to think about.
“Passing,” based on the 1929 novel by Nella Larsen, is and elegant and sophisticated film. It’s drop-dead gorgeous to look at, and the lead performances from Tessa Thompson and Ruth Negga are absolutely fabulous. Rebecca Hall‘s restrained direction adds to the beauty of the film, as does Eduard Grau‘s handsome black and white cinematography. There’s so much about this project to praise, but you may hear some refer to the movie as “nuanced” — which is nothing more than a polite way to say “boring.”

Refined, upper-class black woman Irene (Thompson) enters a fancy tearoom in a swanky New York City hotel. Across the table, she spots a blonde woman (Negga) staring her down. It turns out the two knew each other when they were younger, but fate has brought them together. Both women are black but light skinned, and Clare has used her complexion to her advantage by passing as white. They each struggle to find a place they belong in a society that’s not too kind to those who are of a different color.

It’s a story that’s filled with complex ideas, but the end result is mostly a snore. There isn’t much story to speak of, and the timely issues of gender, identity, and class, and the weighty topic of race as performance art, are squandered in a bland wrapper. The film is quite tame with its social commentary, which is so disappointing because this is the perfect vehicle in which to really make a bold statement.

Hall’s direction is nicely done, and she draws excellent performances from Negga and Thompson. But this movie is stretched to two hours when the sparse story could have been told in half that time. There are multiple scenes of deep gazes and lengthy pauses that slow down the movie, including what feels like a nearly three minute scene where someone is removing her coat.

I had high hopes for “Passing,” but I feel like this book-to-screen adaptation was a wasted opportunity to deliver a more important, profound message.
Tessa Thompson is “Renie” – married to successful doctor “Brian” (André Holland), who heads for some tea after a long day and encounters childhood friend “Clare” (Ruth Negga). She doesn’t immediately recognise her because she has little colour in her skin… Indeed, as the story pans out even her husband, the pretty openly bigoted “John” (Alexander Skarsgård) has no idea that his wife is negro. “Clare” is pretty lonesome, and soon finds solace and popularity amongst her friend’s friends who find her charming and vivacious – traits “Renie” possesses in scan quantity. What now ensues is a gentle observational look as how the relationship between the women, and the former’s husband, children – even her maid, develop. The film is very easy to watch, to look at – the style of cinematography, the costumes and the lighting all lend themselves well to the imagery. The story itself is less impressive. Aside from quite a few plausibility issues, Thompson just seems to try too hard. There is little natural about her performance, and though perhaps, by contrast, because Negga is very much on top of her character, that does take much from the potency of this theoretically challenging, cleverly scored story. The ending, well – least said, I think though. It is almost as if Rebecca Hall just ran out of paper, rather than story.

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