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  • Bitch Ass 2022 Online Subtitrat in Romana

    Bitch Ass Online Subtitrat in Romana – [1080p]

    Bitch Ass

    cap : Bitch Ass
    a slobozi  : 2022-03-14
    arhivare : 83 Minutes
    gen muzical : Horror, Mystery, Thriller

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  • Good on Paper 2021 Online Subtitrat in Romana

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    Good on Paper

    titulatură  : Good on Paper
    a dezrobi  : 2021-06-23
    arhivare : 92 Minutes
    gen : Comedy, Romance

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  • The Ride 2018 Online Subtitrat in Romana

    The Ride Online Subtitrat in Romana – [1080p]

    The Ride

    cap : The Ride
    a dezrobi  : 2018-04-27
    arhivare : 98 Minutes
    gen muzical : Drama

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  • The Thing About Jellyfish Online Subtitrat in Romana

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    The Thing About Jellyfish

    calitate : The Thing About Jellyfish
    a achita  :
    arhivare :
    gen muzical : Drama

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  • The Grandmother 2022 Online Subtitrat in Romana

    The Grandmother Online Subtitrat in Romana – [1080p]

    The Grandmother

    titulatură  : The Grandmother
    a lăsa  : 2022-01-28
    arhivare : 100 Minutes
    gen : Horror

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  • Cam 2018 Online Subtitrat in Romana

    Cam Online Subtitrat in Romana – [1080p]

    Cam

    campionat : Cam
    a răspândi  : 2018-10-01
    arhivare : 95 Minutes
    gen muzical : Mystery, Thriller, Horror

    Cam is a psychological thriller directed by Daniel Goldhaber and stars Madeline Brewer of the Black Mirror fame. It’s brought to us by Blumhouse Productions. Cam is the story of Alice, an online cam girl, who live-streams from her home studio. Just when things are looking good, her account is hijacked by her doppelganger. While the film is pretty interesting to start with, it loses some steam in the middle and leaves the audience with a whole bunch of unanswered questions, especially around the characters in the movie. It’s a good one time watch that feels like a longish Black Mirror episode.
    Cam thrillingly records commentary on social media before glitching out at the climax. If ever there was a relatable topic in my life right now, or atleast for the past few years, it’s this one. The ever-growing addiction to social media, thirsting on the superficial requirement of “popularity”. That unnecessary attentive praise for the detailed work I’ve produced. Followers and likes on Instagram. Helpful votes on other review sites. It doesn’t matter. It is a regressive byproduct of artificial socialisation. Cam, for it’s introductory act, depicts the fundamental issue with modern reality perfectly. A young woman, who performs live shows on an adult entertainment website, rapidly escalates her controversial performances in an attempt to become the most watched entertainer.

    In a society where individuals can get paid to showcase nudity online, with anonymous users tipping the entertainer, the addiction and lust for exploiting one’s self to earn a few hundred dollars has never been easier. Yet still within the guidelines of the law. Whilst it may sound monetarily heavenly to earn a living from the comfort of your own bedroom, it comes with potential consequences. Stalkers attempting to locate your abode. Anonymity running the risk of friends and family members discovering your explicit content.

    However, it’s the psychological impact that Cam explores, in particular “Lola” and her manifestation of envy. She wants to be the best. The top girl. And she’s willing to do anything and everything to get that position. A modern issue for the youth of today who become addicted to technological entertainment such as gaming and adult content. Brewer’s engrossing performance enabled a subtle layer of sympathy to come through. It’s a relatable issue. Naturally, we resent her actions through a shocked expression, but empathise due to relatability. Obese old white men pleasuring themselves behind the security of their webcams. It’s gross, to say the least, yet a trend that does occur and is exploited. ChatRoulette is just one of many websites that harness the power of anonymity for sexual exploitation.

    Then the direction changes as the plot progresses. Another entity is pretending to be “Lola” and locking the real “Lola” out of her account. This second act shifts the focus from thirsting popularity to conspicuous mystery. Who or what is pretending to be “Lola”? Old videos that have been downloaded and re-uploaded? A doppelgänger? Regardless, the story’s believability diminishes as the plot unfolds, but still remains captivating throughout due to the subject matter that is depicted. “Lola” as a character loses her dimensionality in order to focus on this imposter, detrimental to the thrilling nature of the narrative. Simply, it becomes more convoluted as it nears its climax. Then the third act commenced, and the mysterious reveal was exactly as I feared. Non-sensical. Illogical. Essentially, stupid. Initially what started out as a realistic subject study, concluded as a surrealistic mess. A dire shame considering how engaged I was throughout.

    Nevertheless, Cam exceeded my expectations (although fairly low to begin with…). Illustrating a topic that should be discussed more frequently in today’s Internet environment. Unfortunately though, this live show was losing viewers with every minute that ticked by.
    What _Cam_ did, it did very well, I just wish it had done a little more.

    _Final rating:★★★ – I liked it. Would personally recommend you give it a go._

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  • Hotel Transylvania 3: Summer Vacation 2018 Online Subtitrat in Romana

    Hotel Transylvania 3: Summer Vacation Online Subtitrat in Romana – [1080p]

    Hotel Transylvania 3: Summer Vacation

    calificativ : Hotel Transylvania 3: Summer Vacation
    a dezlănțui : 2018-06-28
    arhivare : 97 Minutes
    gen muzical : Family, Fantasy, Comedy, Animation

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  • Juliet, Naked 2018 Online Subtitrat in Romana

    Juliet, Naked Online Subtitrat in Romana – [1080p]

    Juliet, Naked

    cap : Juliet, Naked
    a răspândi  : 2018-08-16
    arhivare : 97 Minutes
    gen : Comedy, Drama, Romance

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  • Overboard 2018 Online Subtitrat in Romana

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    Overboard

    titulatură  : Overboard
    a dezlănțui : 2018-04-13
    arhivare : 112 Minutes
    gen muzical : Romance, Comedy

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  • Shirley 2020 Online Subtitrat in Romana

    Shirley Online Subtitrat in Romana – [1080p]

    Shirley

    calificativ : Shirley
    a răspândi  : 2020-09-11
    arhivare : 107 Minutes
    compoziţie : Drama, Thriller

    If you enjoy reading my Spoiler-Free reviews, please follow my blog @
    https://www.msbreviews.com

    This was a pretty unusual experience due to the knowledge I possessed before watching this movie. It’s the first flick I see from Josephine Decker. Sarah Gubbins has her feature film debut as a screenwriter, so obviously, she’s new to me as well. However, the most significant detail is that I didn’t know a single thing about Shirley. I had no idea about its plot or even what genre did it belong to, and (like with every other movie) I didn’t watch a single trailer. Elisabeth Moss (The Handmaid’s Tale, The Invisible Man) was the only reason I added this film to my list a few months ago.

    I had no idea Shirley was an actual biopic of the real-life horror writer, Shirley Jackson, not even by the end of the movie… and this is the biggest compliment I have to give. It doesn’t feel like a biopic because it breaks every barrier set by the genre’s limitations. It isn’t filmed (DP: Sturla Brandth Grøvlen) like a biopic. It isn’t edited (David Barker) like a biopic. Its screenplay isn’t similar to one of a biopic. Even the score (Tamar-kali) is far from being a biopic standard. Conclusion: by going blind into this film, it’s near impossible to label Shirley as a regular biopic.

    How is this a good thing? Well, from the very first scene, the uneasy atmosphere is exceptionally established through Odessa Young’s character, Rose Nemser. The latter seems like any other 1950’s “wifey”, but in her first appearance, she shows that her true self is hiding beneath the well-behaved, well-educated persona. It’s hard not to feel enthralled by the weird, intriguing, sometimes creepy interactions between the four main characters. The rough editing helps generate a certain level of discomfort like something doesn’t feel quite right. Shirley and Rose’s relationship contributes to the strange vibe that permeates the movie.

    Shirley is isolated from society and refuses to go outside. Her books are filled with disgusting, thought-provoking, horrific stories that people love to read. But these are the same people who assume how she must be like in order to be able to write such twisted stories. Rose has more in common with Shirley than what their personal book covers may indicate, and these two carry the narrative in a quite captivating, emotional manner. The former is the central character, the one that goes through the biggest development. The latter doesn’t change who she is, but gradually shows a different, more vulnerable side, as the (brilliant) last shot of the film (one long uninterrupted take) proves.

    Elisabeth Moss was already in contention for several nominations due to her outstanding performance in her previous movie, but with Shirley, she makes sure she doesn’t go unnoticed in 2020. Moss has such an incredible range of emotions and expressions that make her shine every time a multi-layered character is handed to her. However, Odessa Young is the surprise here, what a breakthrough! Excellent performance from her, definitely one to keep our eyes on for the next few years. Michael Stuhlbarg is phenomenal by interpreting Stanley, a man who can be sweet and kind as easy as he can be threatening and scary.

    It’s a film that warrants more than one viewing. Not only due to the perplexing narrative that mixes up Shirley’s imagination (there are constant flashes of her visualizing what she’s writing) with the real-life story, but also because the characters’ relationships are not that simple to understand. All of this can either be looked at as a positive or negative aspect. On one hand, I was always interested and focused on understanding everything related to the story and its characters. On the other hand, the movie can feel aimless during the first half of the runtime.

    Undoubtedly very intriguing filmmaking. Josephine Decker delivers an auteur piece (for which she already received an award) that might polarize the general audience due to her remarkably unique biographical work. However, for someone who didn’t know anything about the film going in, that first half that I mention above can be really difficult to analyze. Eventually, everything receives their respective explanation, some more efficient than others, but the path to get there isn’t linear or smooth in any way, shape, or form.

    Also, Logan Lerman’s character, Fred Nemser, feels left out compared to the other house residents, and his arc is probably the most predictable and least exciting part of the movie. Technically, each component is as unique as each other. From the editing to the cinematography, passing through the score and the production and set design. Everything elevates Sarah Gubbins’ screenplay and Decker’s directing in a way that never stops being entertaining and extremely satisfactory for any cinephile.

    In the end, Shirley is undoubtedly an auteur film from Josephine Decker, who delivers a remarkably unique biopic that breaks every limitation imposed by the genre. By going in blind, Sarah Gubbins’ screenplay may feel strange and aimless throughout the first half, but the intriguing relationships between the main characters and the weirdly captivating narrative are more than enough to create a creepy yet engaging atmosphere. The interactions between Elisabeth Moss, Odessa Young, and Michael Stuhlbarg are as fascinating as their characters, especially Odessa’s. All actors are terrific, but Moss guarantees that she doesn’t go unnoticed this year, and Young will certainly be in talks for the year’s breakthrough performance. Technically, the score is definitely a whole other character, incredibly impactful sound design. On one hand, the shaky cinematography and the rough editing help create the uneasy environment of the house, but on the other hand, they might feel a bit too disorienting and uncomfortable. It’s hard to recommend this movie. If you’re a fan of Shirley Jackson, this is her biopic, even if it doesn’t look like one (the greatest compliment I can give the film). If you value technical aspects, Shirley has a lot to love. However, if you don’t belong to one of these two groups, I can’t recommend it without first offering a warning that it just might not work for you…

    Rating: B+
    My expectations for ‘Shirley’ were probably as high as for any film this year, and those expectations were well-invested. Josephine Decker has delivered a film far better than any biopic could have been. Not only does it celebrate everything incredible about Shirley Jackson’s work, it amplifies our understanding of it and why it continues to haunt us, whisper to us, send shivers down the back of our necks. ‘Shirley’ is an unsettling portrait of the existential and primal horror of the suburban prison women are forced into, guarded by monstrous men demanding they play by the rules and willing to discard and destroy when their use is past or they have sucked them dry of everything they need for them, a prison where madness is not just damnation but possible liberation. It is pure Shirley Jackson and yet entirely a work of its own, with its own unique power and voice. ‘Shirley’ is one of the best films of the year so far, and one that you’ll feel watching you just beyond your periphery long after it is over.
    – Daniel Lammin

    Read Daniel’s full article…
    https://www.maketheswitch.com.au/article/review-shirley-a-hypnotic-dreamscape-of-one-of-the-greatest-writers-of-all-time

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