#Alive Online Subtitrat in Romana – [1080p]

cap : #Alive
lansare : 2020-06-24
arhivare : 98 Minutes
compoziţie : Action, Horror, Thriller

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Zone 414 Online Subtitrat in Romana – [1080p]

subtitlu : Zone 414
: 2021-09-03
arhivare : 98 Minutes
gen : Science Fiction, Thriller, Mystery

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Tetris Online Subtitrat in Romana – [1080p]

calitate : Tetris
a dezrobi  :
arhivare :
gen : History, Drama

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Ted K Online Subtitrat in Romana – [1080p]

cap : Ted K
lansare : 2021-10-29
arhivare : 120 Minutes
gen muzical : Drama, Crime, Thriller

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Zero Contact Online Subtitrat in Romana – [1080p]

titular  : Zero Contact
a lăsa  : 2022-05-27
arhivare : 96 Minutes
gen : Science Fiction, Thriller

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47 Meters Down: Uncaged Online Subtitrat in Romana – [1080p]

titlu  : 47 Meters Down: Uncaged
a lansa  : 2019-08-15
arhivare : 90 Minutes
compoziţie : Horror, Drama, Adventure

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Sometimes, people ask me if I feel less motivated to write about a movie I didn’t like or even simply hated. Not even close. Matter of fact, it might be the exact opposite. The only films which I find hard to write a review on are those who don’t have a single aspect that is either outstanding or horrible. Those who are so “in the middle” that you forget about them less than 24h after you’ve seen it. 47 Meters Down: Uncaged could very well be this type of flick, but its ludicrous logical issues story-wise are impossible to ignore. Even the title is just a marketing scheme to attract people who liked the 2017’s original since it is entirely unrelated to it (the water depth at which the characters are is never addressed).

This is one of the worst movies of the year. It still doesn’t beat Serenity, but it made me rethink about the latter’s grade because I find it so incredibly difficult to acknowledge one single good thing about this terrible sequel. Had I scored Matthew McConaughey’s film an F, this one would probably belong there as well. However, in the same way that a film without flaws isn’t necessarily an A+, a movie with no redeeming quality isn’t instantly an F. If there’s one compliment I can give Uncaged is that there are two or three short sequences where a jump scare is effective, or the suspenseful vibe was accomplished … Nevertheless, these are still just a couple of minutes in an almost 90-min runtime.

The characters have no development whatsoever. The story follows the most pathetic path possible. The sharks (which are the reason people actually went to the theater) are not as visually realistic as in the original, reaching a point where the CGI was pretty awful. A fish screams … I mean, really?! Who the hell supervised this mess? Characters talk underwater seamlessly with no explanation on how they are effectively talking. I could sit here and write dozens of questions that defy the film’s logic, but I’ll stop here. Not because I don’t want to (if this wasn’t a spoiler-free review, I’d go crazy), but due to the fact that the main issue with the movie isn’t the atrociously illogical plot points, but the lack of entertainment.

Fast and Furious, Pirates of the Caribbean, Transformers … All of these are (financially) successful franchises. Audiences all over the world fill theaters and enjoy these series for what they are: popcorn entertainment. No one goes for the complex plots or layered characters. People go for the action, the explosions, the epic scores, the visual effects, and all of that stuff. Uncaged doesn’t have any of that to compensate its other problems. One or two scenes here and there aren’t enough to warrant the price of admission. Even the acting is mediocre.

All in all, 47 Meters Down: Uncaged is nothing more than a silly attempt at the start of a new franchise. Don’t be fooled by its title since it has nothing to do with the original flick. It doesn’t try to introduce compelling characters, the shark sequences fall flat for the most part, and the screenplay is filled with laughable plot points. There’s no sense of logic. For an 89-minute runtime, it astounds me how it can’t be slightly entertaining, to say the least. Undoubtedly, one of the worst films of the year. Skip it, so they don’t have enough money to try and do a third one. Who knows?! Maybe they’ll bet on original, smaller flicks from genuinely talented filmmakers who want to work hard and deliver a good movie.

Rating: D-
‘47 Metres Down: Uncaged’ doesn’t have the inventiveness of ‘The Shallows’, the intensity and drive of ‘Crawl’, the fun of ‘The Meg’ or the gore of ‘Piranha 3D’ but, for a few fleeting moments, it does feel vaguely like an underwater version of ‘The Descent’. If only the film would have let the characters shut the fuck up a little more and let me enjoy those aspects.
– Jake Watt

Read Jake’s full article…
https://www.maketheswitch.com.au/article/review-47-metres-down-uncaged-fails-to-surface
Has a few moments going for it, but this is pretty much paint-by-numbers survival-thriller with some pretty bad acting (or at least poor dialogue). The first movie wasn’t very good either, but at least the characters in that one didn’t get into their predicament due to their stupidity like they had here (seriously all of this got started because one of the girls got startled by a fish and knocked into a pillar).

Only notable thing about this cast is two of them are children of a famous parent actor (Jamie Foxx/Corinne Foxx, Sylvester Stallone/Sistine Stallone).

Not terrible and passably watchable, but kind of feels dated even though the obsession with sharks was only a few years back. **2.0/5**
Rare is the shark movie that actually tries, and for that, _47 Meters Down: Uncaged_ deserves ample credit. The shark effect quality varies wildly, but when it’s good, it’s really good (shame one of the not good times was the first time you see one). About as much originality as you can get out of this genre, but even with all that said, _Uncaged_ still can’t manage to cross that threshold into “good”. It fails to suspend disbelief, doesn’t have characters you can care about, and isn’t very well acted. It rises above a lot of modern-day shark movies, but it doesn’t rise above many movies in a more general sense.

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
Less scares than the first one but still a good popcorn entertainer with the trademark emotional element (two step sisters here) and if you don’t think about the details too much. 90 minutes of laid-back entertaining material to watch with your family and learn again why exploring abandoned lakes and underwater caves isn’t a safe thing to do. TN.
Right, if Great White sharks have their equivalent of Equity, I’d be formulating a law suit against the producers of this nonsense for gross misrepresentation. For the most part, despite having this rather ripe collection of noisy young divers on their plates, the so-called monsters of the sea seem quite incapable of polishing them off. Initially they are isolated in the ruins of an underwater temple, then a beautiful lagoon that is nigh on impossible for them to escape from, then finally the open sea where a visiting tourist boat is pounding the blue waters with shark-tempting chum – and yet, yes – you’ve guessed… There is no point singling out any of the acting talent here, luckily they wear scuba-masks most of the time so the performances really only require a moderate ability to win (and, of course, to scream). There is some fine underwater photography, but the rest of this is really formulaic and so incredibly far-fetched as to be just plain daft and not in the least scary.

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First Cow Online Subtitrat in Romana – [1080p]

titular  : First Cow
a lăsa  : 2020-03-06
arhivare : 122 Minutes
compoziţie : Drama, Western

‘First Cow’ may show an origin of capitalism, but unlike the wild west of Wall Street, Reichardt points to an alternate reality where it’s not the muscle of capitalism that conquers, but rather the sweet companionship and commitment to fellowship that will, not the greed of self-interest. In Reichardt’s world, greed is a modern illness, and it’s only when Cookie and King-Lu’s solidarity falters that their lives begin to unravel. People will succeed in cooperation, not at the expense of others – a lesson that feels even more important now in 2020 than it may have ever felt in 1820.
– Joel Kalkopf

Read Joel’s full article…
https://www.maketheswitch.com.au/article/review-first-cow-a-minimalist-portrait-of-the-american-dream

8/10/2020
4 stars
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

As you should know by now, I love watching films as blind as possible: no trailers and a minimum amount of information about the plot (or none at all). A24 became such a popular studio that I don’t even need to know anything else about the movie, I’m always in. Universal, Paramount, Warner Bros., Disney, and Columbia might be the Big Five of film studios, but gradually people are starting to shift their attention to smaller, independent ones who deliver fewer movies per year, but a higher ratio of great films. This is also the very first movie I watch from Kelly Reichardt. The simplest of research will show everyone that her films are meant to heavily divide critics and audiences, so which side do I fall on this time?

I’m not trying to patronize anyone, but First Cow belongs to that category of movies that audiences hate and critics love simply due to the slow pacing and minimalist story. Audiences will look at this flick as a dull, long, uneventful story, while critics will not only appreciate its remarkable technical attributes, but also the sweet, simple narrative that delivers quite a nice message about friendship, loyalty, but also greed and power. I’m not on either extreme, but I did enjoy this flick. Overall, I actually agree with each group’s praises and criticisms.

On one hand, this small story feels refreshing and pretty relaxing, having in mind Hollywood is packed with visually overwhelming blockbusters. It’s a weird yet therapeutic couple of hours where the viewer follows two friends trying to get by. Cookie has the cooking abilities and smart ideas, while King-Lu uses his sense of opportunity to bring his friends’ ideas to life. The chemistry between John Magaro and Orion Lee is phenomenal, making their characters’ friendship feel incredibly authentic. The dialogues seem spontaneous and realistic. The editing (also performed by Reichardt) contains few cuts, letting the conversations flow naturally and the action to unravel at a slow, calm pace (in life, things don’t arrive fast one after the other).

On the other hand, the simplistic narrative is also rather predictable, and it loses the viewer’s attention occasionally due to the constant dragging out of several sequences where nothing truly happens, story and/or character-wise. It’s undoubtedly a slow-burn, nothing wrong with that, but it just isn’t able to be effective throughout the entire runtime. Christopher Blauvelt’s cinematography looks gorgeous, and William Tyler’s subtle score is particularly pleasant, but visuals and atmosphere can’t carry a screenplay for more than two hours. When the story gets going, it’s definitely captivating, but it gets itself stuck during short periods spread throughout the whole film.

In the end, Reichardt and Jon Raymond’s well-written screenplay transmits a pretty kind message developed through two characters who need to find a way to make a living, to improve their lives. Their personalities are distinct, balancing their friendship with both their personal qualities and flaws. Reichardt picks up the co-written narrative and gives it an excellent direction, which apparently has given this duo great success. Hopefully, they’ll keep making movies for everyone to enjoy, some more than others.

All in all, First Cow possesses one of A24’s trademarks: unconventional storytelling. Kelly Reichardt and Jon Raymond deliver a well-written screenplay, telling a minimalist story that will probably divide critics and audiences due to its purposefully slow pace and uneventful narrative. Reichardt, who also edited the film, takes a simple premise and gives it a realistic, grounded, layered direction characterized by genuine conversations and a true friendship. John Magaro and Orion Lee offer flawless performances, elevating their characters with emotionally palpable chemistry. Beautiful cinematography and a subtle score help the movie create a relaxing atmosphere different from the usual Hollywood flicks. Nevertheless, its runtime features dragged out moments, a predictable development story-wise, and while the film’s message is quite sweet, it can become a bit of a tedious journey to experience. Overall, I recommend it to anyone who just wants to peacefully watch a simple movie with a great message without caring about how long it takes to reach the end.

Rating: B
This is a gently comedic story of a couple of pioneering Oregon frontiersmen. Cook-cum-baker John Magaro (“Cookie”) who falls in with the entrepreneurial “King-Lu” (Orion Lee). The pair quickly realise that there is a decent amount of money to be made by indulging the sweet teeth of their fellow hardy companions – and when they discover that the local headman has had a cow delivered – the only one for miles – a clandestine business that involves purloining the milk from said cow to enhance their cakes offers riches, but some risk too – the factor (Toby Jones) is unaware that his is, technically, the manna from which these delicious sweets are being made. What follows is a little bit predictable, but nonetheless enjoyable to watch as they try to stay one step ahead of their increasingly cognisant boss. Director Kelly Reichardt takes her time to introduce us to the pair, and to let the story develop gently and entertainingly whilst still offering us a plausible glimpse of the harsh and tough living conditions experienced by these folks in search of everything from gold to land to, well, milk! It’s got quite a pleasingly complementary score from William Tyler and is certainly worth a watch – though it doesn’t need to be on a big screen.
For sure not a Hollywood film. This film is a beautifully executed character study about friendship.

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Miracle in Cell No. 7 Online Subtitrat in Romana – [1080p]

titlu  : Miracle in Cell No. 7
lansare : 2019-10-10
arhivare : 132 Minutes
gen muzical : Drama, Comedy

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Badhaai Do Online Subtitrat in Romana – [1080p]

generic : Badhaai Do
a lansa  : 2022-02-11
arhivare : 147 Minutes
gen : Comedy, Drama

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Flashback Online Subtitrat in Romana – [1080p]

titlu  : Flashback
a răspândi  : 2020-10-08
arhivare : 97 Minutes
compoziţie : Thriller

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