Scarborough 2021 Online Subtitrat in Romana

Scarborough Online Subtitrat in Romana – [1080p]

Scarborough

cap : Scarborough
a dezrobi  : 2021-09-10
arhivare : 136 Minutes
gen muzical : Drama

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Like a Boss 2020 Online Subtitrat in Romana

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Like a Boss

cap : Like a Boss
a răspândi  : 2020-01-09
arhivare : 83 Minutes
gen muzical : Comedy

The dead of winter is the time studios like to shove their bottom-basement junk into theaters, bringing us movies that are instantly forgettable and brimming with mediocrity. The female-driven buddy comedy “Like A Boss” is a great example. This tolerable movie is perfectly fine for a mindless girls’ night out, but it never sets its standards high enough to achieve much more. But why would it?

Best friends Mia (Tiffany Haddish) and Mel (Rose Byrne) are living their best lives running a makeup company they’ve built from the ground up. Things haven’t been going so well on the financial front, and the women find themselves over their heads in debt. When cosmetics industry titan Claire Luna (Salma Hayek) presents them with a huge buyout offer, it puts a strain on their friendship that the two may not ever be able to repair.

If you’re looking for a fun and insightful view at the real-life experience of female business owners, you won’t find it here. What you will find is yet another male-written movie that feeds the narrative that the beauty industry equals female empowerment. It’s not offensive, but it’s a stale idea. How many movies can you count that use the old “you need makeup to feel pretty, but also never forget to be yourself!” narrative? It’s not offensive, but it’s another Hollywood rubber stamp on what the industry thinks are the ingredients necessary for a movie that’s supposed to be made for women.

The comedy is sometimes funny but mostly strained, as Haddish and Byrne are constantly struggling in an effort to sell the lousy one-liners. Their chemistry is terrific, but there’s only so much these two talented ladies can do with such a lackluster script. Hayek is an over-the-top caricature who is given very little to do. Her shtick can be amusing in the right place at the right time, but it isn’t here.

This isn’t a terrible movie, but it’s light years away from being an instant classic. In fact, this tired effort wouldn’t even orbit the general conversation. But “Like a Boss” is still just barely good enough if you are a fan of the two leads or if you’re looking for easy-to-swallow entertainment.
Good watch, could watch again, and can recommend.

It’s a middle-class business versus high-class business trope, which normally would be a poor vs the rich / elite trope, so it’s a slightly different spin on on a family setup.

The real story seems to be a dysfunctional family sister-sister trope as they’re going through the first.

There is a lot of fun in watching the 3 ladies “fight” each other, but it’s doesn’t feel like a very impactful or eventful story.

A decent throw away watch designed for lady business people.

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The Girl in the Spider’s Web 2018 Online Subtitrat in Romana

The Girl in the Spider’s Web Online Subtitrat in Romana – [1080p]

The Girl in the Spider's Web

generic : The Girl in the Spider’s Web
a lăsa  : 2018-10-25
arhivare : 115 Minutes
compoziţie : Action, Crime, Thriller, Drama

Lackluster entry in the Millennium film series:

A solid performance by Claire Foy (First Man, Unsane) can’t do much to elevate a weak script that, quite often, not only asks you to suspend your disbelief, but to abandon your disbelief altogether.

This film is based on the fourth of five books (to date) in the popular “Millennium” series of novels, which happens to be the first of the books written by author David Lagercrantz after the passing of original author Stieg Larsson. The first three books were adapted into a trilogy of films in their native Sweden (all of which were released in 2009), and the first book, The Girl with the Dragon Tattoo, was given an American adaptation helmed by David Fincher in 2011.

The story of the newest entry in the film series revolves around a top-secret program called Firefall, which would allow whoever wields it to take control of the world’s nuclear weapons. The program was designed by Frans Balder (Stephen Merchant), who has a young autistic son. Balder, having come to realize that the program is too dangerous for any government to control, contacts super-hacker Lisbeth Salander (Foy), asking for her help to find and destroy the program. Unknown to them,however, a mysterious group known only as the Spiders are also after the program. Salander receives help along the way from good friend Mikael Blomkvist (Sverrir Gudnason), a journalist working for Millennium magazine (from which the book series gets its name). In the meantime, Lisbeth’s attempt to acquire the Firefall program leads American National Security Agency security expert Edwin Needham (LaKeith Stanfield) to travel to Sweden in hopes of tracking her down.

Action abounds, and as the film progresses we learn the identity of the leader of the Spiders, a secret tied to Salander’s murky past. Eventually all parties converge on a house in the mountains that is all-too-familiar to Salander, where the film’s climax plays out.

The film appears to retcon certain details from the previous films (e.g. Blomkvist is younger than he should be), which can be off-putting to those familiar with those films.. Vicky Krieps, who audiences may remember from her fantastic performance in 2017’s Phantom Thread, is wasted in a brief appearance as Millennium’s publisher Erika Berger. While Salander has been established as a first-class hacker in previous films (as well as in the books on which they’re based), here her hacking skills often reach levels of unbelievability. An example of this: in one scene Salander hacks into a car’s systems while actively pursuing in another car.

In the end we are left with a film that could have been greater than it is, but which was hobbled by a poor script filled with overly convenient contrivances. The film’s one saving grace is Foy, who does the most with what she is given.
While I enjoyed this film, it was a bit of a disappointment compared to the others in this series. As noted by other reviews, the film is haunted by an incredibly poor script. On the other hand, the action is pretty good if you can tolerate the long, poorly scripted scenes in between.

The film tries too hard to surpise us with twists, some of which are predictable and others which are just flat. Some of the circumstances in the film are far-fetched. I don’t mind suspending belief a bit, but this is neither a fantasy or a science fiction film, so there should be some reasonable level of reality. Several scenes are just ridiculously beyond reason and logic.

Claire Foy is an excellent actress and I like watching her. She did the best she could with this script. It’s unfortunate that the directors chose to portray her as a bit haggard and completely without sex appeal. Certainly, the character of Lisbeth Salander is intended to be a nonconforming ruffian, but Claire Foys’ depiction of her is considerably rougher than Rooney Mara’s and far less sexually-charged than Noomi Rapace’s. This is a shame as Claire Foy does have sex appeal; she either chose or was not encouraged to to use it here.

It’s an acceptable addition to this series, but it’s mediocre in comparison to it’s predecessors.

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Bliss 2021 Online Subtitrat in Romana

Bliss Online Subtitrat in Romana – [1080p]

Bliss

generic : Bliss
a elibera  : 2021-02-05
arhivare : 103 Minutes
compoziţie : Science Fiction, Romance, Drama

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Caveat 2020 Online Subtitrat in Romana

Caveat Online Subtitrat in Romana – [1080p]

Caveat

generic : Caveat
a dezrobi  : 2020-10-04
arhivare : 88 Minutes
compoziţie : Horror, Thriller

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Last of the Grads 2021 Online Subtitrat in Romana

Last of the Grads Online Subtitrat in Romana – [1080p]

Last of the Grads

titulatură  : Last of the Grads
a lăsa  : 2021-12-03
arhivare : 113 Minutes
compoziţie : Horror, Thriller

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The Grudge 2020 Online Subtitrat in Romana

The Grudge Online Subtitrat in Romana – [1080p]

The Grudge

titular  : The Grudge
a achita  : 2020-01-01
arhivare : 93 Minutes
gen muzical : Horror, Mystery

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

It’s a brand new year, which means January gets to be the traditional “trash month” once again. In Portugal, it’s actually one of the best months of the year since all of the Oscar-contender films are released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced.

I was never a fan of the film series, so obviously, I wasn’t expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can’t remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It’s like the producers thought that the target audience for a horror flick was 5-year-old children.

It reaches a point where the movie itself feels like it’s being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then… it’s something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. “Here comes a big twist! Are you ready? Watch out! Here it goes… BAM! You didn’t saw that coming, did you?!”

Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn’t know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what’s going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn’t avoid knowing everything instinctively.

Story-wise or jump scares, it doesn’t matter. Everything that Pesce tries to do, it’s surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that’s one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and “massive” plot points every five minutes? Well, The Grudge was able to accomplish this miracle.

I don’t know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn’t really like the movie. The consequent theater releases were a disappointment. So, let’s do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he’s able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years.

Rating: D
The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year.

Update: Oh boy.

_Final rating:★ – Of no value. Avoid at all costs._
Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce’s direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won’t remember very much about this in a few days (if not less)… **1.75/5**
Although handsomely shot, with several good actors doing their best and a small handful of unsettling visuals, ‘The Grudge’ is ultimately a dull, disjointed mess that is riddled with cheap “boo!“ moments. I hope Pesce rebounds quickly from this failed effort in franchise-building and gets back to making the kind of idiosyncratic films he’s clearly capable of.
– Jake Watt

Read Jake’s full article…
https://www.maketheswitch.com.au/article/review-the-grudge-the-movie-reboot-curse-claims-another-victim

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I Still Believe 2020 Online Subtitrat in Romana

I Still Believe Online Subtitrat in Romana – [1080p]

I Still Believe

campionat : I Still Believe
lansare : 2020-03-12
arhivare : 115 Minutes
gen : Music, Drama, Romance

I loved this movie very touching and beautifully done I must warn you it is a tear jerker you will need tissues!!
‘I Still Believe’ is just another forgettable romantic film, and thankfully it’s also forgettable in the religious film genre. It has a tonne of issues from pacing to story, but it’s just a boring film that is unappealing to all the demographics it tries to hit. It’s so forgettable that I just remembered Shania Twain plays KJ Apa’s Mum. 2020 truly has been a ride.
– Chris dos Santos

Read Chris’ full article…
https://www.maketheswitch.com.au/article/review-i-still-believe-faith-romantic-drama-misses-every-demographic

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Artemis Fowl 2020 Online Subtitrat in Romana

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Artemis Fowl

calificativ : Artemis Fowl
a lăsa  : 2020-06-12
arhivare : 94 Minutes
compoziţie : Adventure, Fantasy, Science Fiction, Family, Action

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

One of the most delayed movies ever, Artemis Fowl, went through severe production issues. Its plans started in 2001 (!), and only almost twenty years later it’s being released… in a streaming service. Several directors and writers passed through this project, but Kenneth Branagh, Conor McPherson, and Hamish McColl are the poor souls that decided to stick around. I’m not going to extend this review more than what it needs to. This is one of the worst films Disney has ever released, live-action or animated!

I have no knowledge of the source material, so I can’t give my opinion about if it’s loyal to it or not. However, I can write that it’s a shocking, genuinely horrible adaptation of a book saga that I know holds an immense fandom. I’m so baffled at how bad this is that I don’t even know where to start. I absolutely despise criticizing young kids’ performances, especially when it comes to debuts like Ferdia Shaw’s. But, in this case, I can’t avoid it. I feel extremely sorry for Shaw, but his performance is truly embarrassing, not only due to his emotionless, bland expressions, but also the cinematography and editing.

Shaw spends the whole movie simply reading his line, and waiting for someone else to feed him the next one. I hate to write this, but it’s one of the worst debuts from a young actor I’ve ever seen. Nevertheless, it’s not all Shaw’s fault. The script is atrocious in every level, and for some reason, Haris Zambarloukos (DP) and Matthew Tucker (editor) keep the camera on the kid for way too long. Throughout the whole runtime, Shaw finishes his line, and the camera stays on him for extra seconds, waiting for the late cut, while Shaw’s flawed acting is vulnerable.

The screenplay and the lack of a coherent story are the worst aspects of all, though. As someone who had no idea about who Artemis Fowl was, how the worlds of humans and fairies worked, and what the rules of this fictional universe were, I ended the film confused and blown away by the messy structure. Josh Gad (Mulch Diggums) spends the entire movie narrating the events with the most awkward, growly voice, and Judi Dench (Commander Root) follows the same strategy. The amount of heavy-handed exposition brutely forced into these ninety-four minutes is absurd for a flick supposed to start a new film saga.

Every single line of dialogue resembles some sort of announcement like new information has been discovered, even when it’s not. The narrative structure is chaotic and tries to compact so much world-building that it’s impossible to care for a single storyline or character. For the first half of the movie, I had no clue what it was about. There’s a massive MacGuffin at the center of everything, a villain (?) who the film tells nothing about, and so many subplots jumbled together in a desperate attempt at making the whole movie make sense.

The editing is choppy as hell, the action sequences are hilariously bad with surprisingly dated CGI, and even the score (which might be the only decent component of this whole thing) makes a few scenes even worse. There’s also a side story featuring Lara McDonnell (Officer Short) that’s also poorly explored, but it’s far more captivating than anything remotely close to Artemis. The latter is such an uninteresting character, one who I didn’t care for a single second. I honestly can’t figure out how Disney was able to put this out.

Artemis Fowl is one of the worst feature films Disney has ever created, without a single doubt. There’s absolutely no redeeming quality about it. As much as it hurts me to write this, Ferdia Shaw delivers one of the worst young performances I’ve ever witnessed, but the embarrassment is shared by everyone involved in this atrocious mess of a movie. It’s genuinely baffling how bad it is. It holds an appalling screenplay, packed with annoyingly explicit exposition, ridiculous voice-over (sorry Josh Gad), and an excruciatingly massive amount of information that couldn’t be fit in a three-hour runtime, let alone such a short one like this. No storyline is explored nor executed properly, no character is close to being remotely interesting, every action sequence is a visual disaster, and the attempts at comedy fall incredibly flat. Technically, it’s as shameful as the rest: choppy editing, flawed cinematography, and surprisingly cheap VFX. The only minor positive might be Lara McDonnell, whose performance I think is pretty decent, but I cannot recommend this colossal misfire.

Rating: F
I think that maybe if I had never read any of the Artemis Fowl books, then I would merely hate this movie. But I have read them, and that makes it even worse.

There are multiple characters in this movie who are doing a bad Cookie Monster voice, and the character with the worst voice of them all (Josh Gagrid) is also the narrator somehow? A decision which was both 100% unnecessary and 1000% annoying. As I stated, I read the books, but I want to be clear that I don’t believe this movie is just a bad adaptation of that series, it is, stand-alone, pure fucking nonsense. Nothing in this movie is good, obviously, but nothing in this movie is even… an event. There is no throughline or followable plot or engagement between the characters and the audience or each other. I loathed almost every single moment of _Artemis Fowl_ and I don’t want to spend any more time talking about it.

_Final rating:½ – So bad it’s offensive. I may never fully recover._
In today’s lecture titled “When Disney Films Go Wrong,” I present “Artemis Fowl,” a wholly unredeemable mess of a movie from director Kenneth Branagh. The studio dumped this trash heap on Disney+, and even the home streaming platform is far more than it deserves. There’s very little magic in this CGI-heavy family film, and it’s more of a yawn-fest than the engrossing adventure it obviously aspired to be.

Based on the first two books in author Eoin Colfer’s wildly popular children’s fantasy series, “Artemis Fowl” tells the ho-hum story of adolescent criminal genius Artemis (Ferdia Shaw), an annoying kid who captures vicious fairy Holly Short (Lara McDonnell) at her underground world in an attempt to harness the magical powers needed to rescue his dad (Colin Farrell). There isn’t much more to the plot than this, and the whole thing reeks of a grossly subpar “Harry Potter” rip-off. Even the story’s narrator, the oversized dwarf Mulch Diggums (Josh Gad), is a dead ringer for Hagrid.

The cast ranges from irritating and distracting (Shaw, McDonnell) to really talented actors who probably should’ve known better than to accept their roles for a Disney payday (Farrell, Gad, Judi Dench).

The movie gets progressively worse as it sputters along and, just when you think the film can’t sink any lower, a fabulously “wtf?!?” scene arrives where Diggums unhinges his jaw, scoops up dirt at a rapid pace, and poops it right on out of his rear end.

To be honest, I’d rather have watched that scene on a loop for the full 94 minutes rather than this substandard junk.
Rubbish.

There’s really not anything good about ‘Artemis Fowl’, except for the decent score perhaps. The premise is terrible and poorly told, not helped by the fact it takes itself pretty seriously for much of the 95 minute run time. The pacing is off, while the effects are meh.

The cast don’t work any wonders. Nothing personal against Ferdia Shaw but he isn’t good in the lead role, I thought his age-mate Lara McDonnell did alright as Holly though. I like Josh Gad but his role here is bad, his narration is particularly ropey. Judi Dench’s Julius is irritating too, while Colin Farrell and Nonso Anozie are underused.

A big misfire, unfortunately. Not the worst film I’ve ever seen though. They openly set up a sequel at the end, which I’d imagine won’t be happening given the reaction to this – a situation like 2007’s ‘The Golden Compass’ potentially.

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A Man Called Otto 2022 Online Subtitrat in Romana

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A Man Called Otto

subtitlu : A Man Called Otto
a lăsa  : 2022-12-25
arhivare :
gen muzical : Drama, Comedy

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